Editor’s Note: Following our reporting, Taylor Mali was credited as a co-writer on the song discussed in this story.
Poet, voiceover artist and school teacher Taylor Mali is no stranger to having his work used without permission. His most well-known poem, “What Teachers Make,” has been making the rounds as a chain email for the better part of a decade, almost always credited to “Anonymous.” The poem was transformed, without consent or compensation, into a children’s book. And it was cited, without attribution, by New York Times columnist Thomas L. Friedman during a 2003 Yale commencement address.
Friedman eventually acknowledged his mistake, and the book’s author learned of the source material’s origin just in time to have a “based on the poem by…” message added prior to printing. But for Mali, it’s the emails — whose authors sometimes have the audacity to re-write poem — that bother him the most. Written in 1999, “What Teachers Make” has been credited to “Anonymous” despite the fact that there are many easily-accessible video of Mali performing it. There’s one from a 2003 appearance on the award-winning HBO special Russell Simmons Presents Def Poetry. There’s a YouTube clip with over a million views. There’s even a Ted Talk.
“Five minutes of searching for a phrase or two on Google would reveal I’m the author,” said Mali.
The plagiarism started when Mali published the poem on his website, TaylorMali.com, back in 1999. He said he didn’t include his name with the poem because he assumed the website address made it obvious.
Given how frequently he’s been plagiarized, Mali wasn’t shocked to receive our call about an unattributed use of his work. He was surprised, however, when he learned that the poem had been appropriated and transformed into a song currently being marketed to mainstream country radio — a process that requires the involvement and oversight of many people, from musicians and engineers to publishers and record label executives.
“I Make A Difference,” which is being offered to radio stations by an Atlanta-based company called Evergreen Records, can be streamed on the radio industry website AllAccess.com. A search of the database of Broadcast Music Inc. (a performance rights organization that tracks and collects royalties owed to songwriters and music publishers) lists the song’s writers as Brad Wolf (the artist) and Donald Goodman, who wrote hits such as Alabama’s “Angels Among Us” and Blake Shelton’s “Ol’ Red.”
In general, it’s a violation of U.S. copyright law to adapt an author’s work without their permission. While there are slight differences between the poem and the song, the chorus and second verse of “I Make a Difference” are almost identical to Mali’s “What Teachers Make.”
Wolf, Goodman and Evergreen Records did not respond to requests for comment. However, Robert “Buddy” Resnik, whose Resnik Music Group controls the publishing rights to “I Make A Difference,” said that he was unaware of any similarities between the song and poem.
“You kind of caught me off guard,” he said.
When asked what steps he planned to take since being made aware of the issue, Resnik said that his company is “very honest and open, and committed to doing the right thing.”
In addition to Wolf’s version of “I Make a Difference,” a streaming audio player on Resnik Music Group’s website features versions of the song performed by Linda Davis (known for “Does He Love You,” her Grammy-winning 1993 duet with Reba McEntire) and a duo named Burns & Poe. Neither Davis nor representatives from Burns & Poe responded to our requests to comment for this story.
Resnik said that he doesn’t believe the song has been recorded by any other artists.
While the song has failed to garner any significant radio airplay, it’s available for streaming on Spotify, Apple Music and elsewhere. Mali is likely entitled to some or all of the royalties generated when people listen to the song on those services.
Mali said that he’s surprised by the lack of research conducted by Wolf and Goodman, and that he will likely issue a “cease and desist” letter to the appropriate parties.
“A part of me is honored that my poem moved someone to set it to music,” he said. “But the rest of me is disappointed that someone claimed my words as their own. I mean, the poem is a tribute to teachers. But you can’t claim to stand for that if you are also plagiarizing the words of a teacher.”
Mali said that if Wolf and Goodman had asked him first, he would have given them permission to adapt the poem — presuming they gave him appropriate credit in return.
Now, he hopes that any attention generated by this story will help him reattach his name to a poem that many people assume was written by no one in particular.
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