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Sugarland – “Stuck Like Glue”
“Stuck Like Glue” is a joyous, infectious acoustic pop song that shows off Jennifer Nettles’ stellar vocal skills
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Reacting to James Otto on the Subject of Music Piracy
And so, the industry’s answer to all of this is to basically tell people to “consume within their means.” The industry wants people to only possess the music they can afford to purchase. And you can’t blame ‘em. That’s how it’s worked for years and years. But that’s over
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Album Review: Trailer Choir – Tailgate
For the most part, Tailgate is a 10-song collection that mirrors the album artwork’s style. These are stale, cheap tunes with run-down themes, spruced up and made livable through the hearty and consistent application of musical air freshener that comes in the form of thick, loud pop-country production
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Chris Young – “Voices”
Written by Young with veteran songsmiths Chris Tompkins and Craig Wiseman, “Voices” is a mildly pandering affair that delves no deeper into its subject matter than the typical clichés about what constitutes life lived on the right side of the tracks
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Miranda Lambert – “Only Prettier”
“Only Prettier” is a left-of-center, brilliantly-written alt-country anthem that calls out the mean girl in all of us. “We might think a little differently/But we’ve got a lot in common you will see/We’re just like you,” Lambert proclaims. “Only prettier.”
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Song Review: Darius Rucker – “Come Back Song”
Hearing such a devastatingly good singer sing such a depressingly bad song is one of music’s least rewarding experiences.
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Song Review: Darryl Worley – “Keep The Change”
After a string of seven singles that failed to break the Top 10, Darryl Worley goes back to the well of “common sense” populism he’s best-known for. With songs like “I Just Came Back From a War,” “If Something Should Happen” and “Have You Forgotten” among his most memorable touchstones, the subject matter of “Keep The Change” should come as no surprise–Worley’s not afraid to write about issues that are in the news, and he certainly doesn’t shy away from espousing his political views. A logical addition to that series of politically charged narratives, “Keep The Change” uses then-candidate Obama’s campaign slogan from the 2008 presidential election (“Change”) to hammer home its message: America was founded on certain principles that should never be toyed with. To that end, the song hits on all the right talking points in order to be an anthem for the Tea Party crowd; there are mentions of freedom, God, “those who died” and the pledge of allegiance, a subtle nod to the founding fathers and a subtle knock against progressivism (Worley slyly disavows the nation’s supposed “progress”). The trouble is that “Keep The Change” relies on much of the same dubious logic that has underscored similar songs from country music’s recent history. Like Worley’s “Have You Forgotten” (which linked Iraq to 9-11) and John Rich’s “Shuttin’ Detroit Down” (which criticized the government for “shutting Detroit down” while implying that the government shouldn’t have bailed out the banking industry), “Keep The Change” builds the case against its political and ideological adversaries on purported actions and accusations that aren’t supported by fact
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Song Review: The Band Perry – “If I Die Young”
The Band Perry’s debut single “Hip to my Heart” was a sprightly, effervescent sliver of youth-laden pop country–a pleasant sounding droplet so light that it quickly evaporated into the ether. For its follow up, the sibling trio delivers a track with significantly more narrative volume: Written solo by lead singer Kimberly, “If I Die Young” is a weighty, introspective take on life’s evanescence. Fittingly, the song opens to the sound of Kimberly taking in a breath. Gentle fiddle and guitar accompany her raspy, almost-hushed delivery of the song’s chorus up until a banjo and drum track join in for the first repeat of the refrain. “If I Die Young” remains mostly acoustic throughout, boasting a series of delightful arrangements that underline Kimberly’s beautiful vocal performance–she has a rich, slightly weathered voice that really brings home the song’s melancholy. In addition to that great vocal, Kimberly’s songwriting demonstrates a command of language and craft that allows her to construct thick, interesting lyrics. “Lord, make me a rainbow,” she pleads in the song’s opening verse. “I’ll shine down on my mother/She’ll know I’m safe with you when she stands under my colors.”
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